JOURNEY INTO MYSTERY #652 preview at CBR.

JOURNEY INTO MYSTERY #652 preview at CBR.

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2 days ago

JOURNEY INTO MYSTERY #655
KATHRYN IMMONEN (W)
VALERIO SCHITI (A)
Cover by JEFF DEKAL
The planet-shattering conclusion to Seeds of Destruction…!
• Gaea gets in touch with her monstrous side?!
• To save the ganGREEN goddess, Sif and Beta Ray Bill race to stop the mysterious Ark ship in the (nearly!) scuttled Skuttlebutt!
• The finish line? Asgardia!
32 PGS./Rated T+ …$2.99

 

ALL-NEW X-MEN #15
BRIAN MICHAEL BENDIS (W) • DAVID LAFUENTE (A)
Cover by STUART IMMONEN
• Love is in the air!
• Cyclops heart and future start to fade before his eyes.
32 PGS./Rated T+ …$3.99

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2 days ago
Sue Storm sketches, c. 2004. Client: Marvel. Job: Ultimate Fantastic Four

Sue Storm sketches, c. 2004. Client: Marvel. Job: Ultimate Fantastic Four

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3 days ago
#112: Sir Cliff Richard et al read comics, Wonderful Life, 1964

#112: Sir Cliff Richard et al read comics, Wonderful Life, 1964

14 notes | Reblog
5 days ago
Anonymous said: Good evening, Stuart & Kathryn. I wrote this previously but I am not sure it was received. Kathryn, how did you come to write for comics & does your career satisfy you? Stuart, I am just starting to read Superman: Secret Identity after a review on Amazon mentioned you were the artist. Stunning, to say the least, but the style truly seems like a departure from what we see in X-Men. How do you decide which style fits best for a writing: is it your choice or does the writing dictate this?

K: Stuart and I started out self-publishing about 25 years ago. I went on to spend many years working as a costume designer, (some film, mostly theatre) while Stuart made his way in(to) mainstream comics. But during that time we continued to produce small run books and do the odd gig for others. I had gone back to school to do my MFA and the Marvel Comics Presents Hellcat thing happened right at the end of that, as did spending two months in upstate New York at the Women’s Studio Workshop, editioning an artist’s book. That was basically the beginning of returning to comics and books full time. And satisfying? sure, absolutely, not least of which is because Stuart and I get to hang out and make work together all the time.

S: Thanks for reading and thanks for the kind words. The answer to your question is yes and yes. After reading the script, I decide what may be the most appropriate style in which to draw the story. It may be cartoonish (Nextwave), naturalistic (Superman: Secret Identity), spare (Moving Pictures) or mainstream action/adventure (All-New X-Men). The tone of the story dictates and I take it from there.

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6 days ago
A little Friday nostalgia

A little Friday nostalgia

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1 week ago
Pencil art, c. 2003. Client: DC Comics Job: Superman: Secret Identity

Pencil art, c. 2003. Client: DC Comics Job: Superman: Secret Identity

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1 week ago
#111: Dennis Chan reads comics, Kickboxer 2: The Road Back, 1991.

#111: Dennis Chan reads comics, Kickboxer 2: The Road Back, 1991.

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1 week ago
Right over the house. While we were eating lunch. CAN’T THEY LEAVE ME ALONE?!

Right over the house. While we were eating lunch. CAN’T THEY LEAVE ME ALONE?!

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2 weeks ago

xcyclopswasrightx:

Preview art for Uncanny X-Men & All New X-Men, in this weeks Axel in Charge

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2 weeks ago
It’s All-New X-Men #11 day. And we’re having a new guest room mattress delivered. 

It’s All-New X-Men #11 day. And we’re having a new guest room mattress delivered. 

49 notes | Reblog
2 weeks ago
Giving it the full Unger.

Giving it the full Unger.

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2 weeks ago

brianmichaelbendis:

Jean Grey by Stuart Immonen, Wade Von Grawbadger & Marte Gracia (from All New X-Men #10)

(Source: hoenn)

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2 weeks ago
#110: Arthur Askey reads comics, Make Mine a Million, 1959.

#110: Arthur Askey reads comics, Make Mine a Million, 1959.

2 notes | Reblog
2 weeks ago
All-New X-Men 11 in stores May 1, 2013

All-New X-Men 11 in stores May 1, 2013

26 notes | Reblog
3 weeks ago
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